GUINEA FOWL HEAD
paintings from and about ...Egypt
paintings from and about Egypt
Ali Hassaan is known for predominantly painting large-scale oil paintings. This choice allows him to express his artistic vision on a larger canvas surface and create an intense impact on the viewer.
By using oil paints, Ali Hassaan can utilize a rich palette of colors and textures to bring his works to life. The slow drying time of oil paints allows him to blend colors, create subtle transitions, and work on details with great precision. This technique gives his paintings exceptional depth and dimensionality.
The decision to create large-scale oil paintings also provides Ali Hassaan with the opportunity to depict his subjects in an impressive manner. Whether it is the majestic landscapes of Egypt, historical scenes, or portraiture, the larger format allows him to capture details and subtle nuances, creating a strong presence.
Furthermore, large-scale oil paintings can offer an immersive experience for the viewer. When standing in front of such a painting, one can delve into the artist’s world and intensely experience the emotions and messages conveyed by the artwork. The size of the painting can enhance the impact and establish a profound connection between the work and the viewer.
Overall, large-scale oil paintings allow Ali Hassaan to fully unleash his artistic expression and create an impressive visual experience. By choosing this format, he can capture the uniqueness and beauty of Egypt in a compelling way and transport the viewer into a fascinating world.
علي حسان
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2022 |
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2021 |
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Merry go-round (triptych)
Guenia fowl head
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2020 |
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Temporary marriage
(Triptych painting)
el orman garden
“When I decided to draw water flowers, I didn’t think about approaching Monet or standing next to him. There are luminous lamps in the history of photographic art.
Only my attempts focused on following the path of those arduous meditations Monet spent tracing the water flowers in his garden.
I think Monet saw that the delicacy of his soul is very similar to the freedom and lightness of these plants floating above the water’s surface. About her homeland… Painting remains the homeland in which the soul feels its freedom.”
علي حسان
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2018 |
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2017/18 |
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Horse carriage
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2017 |
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2016 |
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2015 |
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2013 |
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2010 |
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